“Don’t Mean Nothing”

Hearing “Double Negative” again at the Book Launch felt intimate in a way I’m not sue was there in class. Upon hearing Joe O’Connor speak these words again as a way to summarize the night preceding fit well given what came before, in the sense that it felt like he gave the thesis statement for “Why Poetry?” at the very crest of the night, in a good way. Hearing the phrase “don’t mean nothing” repeated as a sharp mantra to help bring out the vital calls for community that were the proceeding poems. “Why Poetry?”, if anything, is an answer to its own questions, to help reveal the deep seeded truths about human connection that are needed to help humanity, as a whole, survive into the future.

I felt like I needed to hear that because it helped put a cap on the semester, as well as the work we all as a class put into making Joe’s book a reality. There wasn’t a single thing I did without the aid of others and didn’t help others in some way, whether it be help align the cover for “Why Poetry?” so it was just right, later printing out all the books at MeshWork, or sewing them by those physical covers back at Saint Vincent. It felt like it was all too perfectly aligned that poetry, a medium that shines when published through independent means, was the method towards understanding the means of small but tight-knit communal publishing. We need to work together and keep in touch with our humanity to produce things like “Why Poetry?”

Photography from Vietnam War, taken from https://www.theatlantic.com/photo/2015/03/the-vietnam-war-part-i-early-years-and-escalation/389054/

I think it’s more than adequate, as well, that “Double Negative” explored the horrors of the Vietnam War, as that event in history was evident of a situation that necessitated poetic sympathy and community. A war led on by the bureaucratic, faceless powers that was large military, leading to its soldiers becoming hardened husks and sapping them of their humanity, and participating in pointless conflcit that harms the weakest of all parties involved: we need poetry not just to understand these horrors, but to build past them, which is something I feel strongly now that strong independent publishing can help accomplish.

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